CGI | Sci-fi Art

Changes to the overall shape of the structure have been completed.  The nose is considerably more discreet and narrower than before.  Also added a gentle slope to the lower bow region.  It's now swept back slightly to improve the curved look of the entire ship's overall motif.


I'm much more pleased with the elevation orthograhic shots.  Gone is the jarring sharpness of the dropping bow, replaced with a gentler curve which matches the rest of the ship much nicer.

The bridge section is also greatly simplified and more curved, making it much more sleek and even a bit menacing, I think.  That was an unforeseen effect of the changes--the ship looks more "wicked" than before.  Sometimes you don't know what the result will be until you try it, I guess?




Still to do: the forward deflector/shield dish section.  Finish out the panels and greebles (some are still not right--hovering greebles or whatnot).  Add windows and lighted interiors, including the hangars and their doors, and create the new quad-cannon turrets.  Also, need to re-do the insides of the main engines.  I was never quite happy with the mechanism that spun.  It was way too small to be noticeable.  I'd like to make it bigger so that it's visible from medium and perhaps even wide shots.



After that, it's the materials and light schemes and I think we're done with the remodel.  The model will be ready for import into whatever project I think up for it. :)

Dan

Reworking the Adamant model.  Looking back on the two years I've had her, she's been a great ship, but now that I look at her with a more critical eye, there are some things I would have done differently to the geometry and model.  But, as it is, she's still nice.  Here's the original picture she appeared in:


The videos she's appeared in:


Her interior was seen in these images:





Redesign Plan:

1.) Update and finish the thing. Many new tools in Blender (such as retopo and ngons) are now available, or have been improved since the model was started nearly 3 years ago.  This makes it possible to build geometry that otherwise was much more difficult to do back then.  Also, my skills as a modeler have improved since then.

2.) Redesigning certain key elements and shapes. I was never happy with certain aspects of the ship's exterior (or interior, for that matter!).  Here are some of the changes I wanted to make:

• The aft section of the nose, in particular wasn't very successful in my mind.  Currently, it's just too sharp a transition, especially in the orthographic elevation view.  Its line dips straight down, while the lines of the aft lower sections are far more curved and flowing.  This needs to be fixed in some manner.
  
• The width of the lower forward section.  The forward section's lower area is too wide.  I've been wanting to give her a more sleek, narrower profile on the lower section for a while, to match the aft section's width more closely.
  
• The aft landing bay, which I changed already, was too sharp and didn't fit with the motif of the ship very well.  The lines leading up to it are relatively curved and flowing, and the sharp 90 degree end where the door is just didn't seem to fit very well.  
  
• There were also several areas where angles were visible instead of smoothly curving surfaces.  Going back and remodeling those areas is better than staring at them and cringing every time.  
• Building new turrets. Instead of the extremely low-poly versions that I had previously, I hope to have specially modeled turrets which all work and can be fired simultaneously or in groups, without the need for a lot of extra work.
• Interior remodel.  I'm planning on remodeling the all of the current sets.  I'm just not happy with currently, in particular the lack of detail.  The floors and color-scheme may remain, but the lighting is so flat and even that it's very difficult to make interesting images using them.  Cycles has come a long way with interior lighting these past two years, so it's time to build out geometry which takes advantage of that.

3.) Materials! Cycles renderer now has some pretty nice procedural materials which will be useful on the Adamant.  The issues with UV unwrapping such an incredibly complex model are too daunting for someone like me with almost no free time on his hands.  Proper UV unwrapping really takes a more dedicated texture/material artist than I am.

4.) Prep for the big screen. Getting the ship ready for HD renders, up to 4k resolution and above will ensure her usefulness for years to come.  I'm hoping to include Adamant or one of her sisters in a film in the future.  We'll see.

Work done so far:





Here's the in-fiction lore for the Palatine Class Cruiser.



THE PALATINE CRUISER is a starship class in operation from the late 20th to mid 25th centuries in the Thrassi Republic. The first ship of this class, Palatine (SSC – 001) was launched on 10/16/1,981 M.E. The last ship of the class, Adjudicator (SSC - 020), was commissioned on 10/18/2,000 M.E. They are the largest ship class ever used by the Thrassi Navy. The original design of the ship was produced by Lethmarp Industries, and was considered revolutionary for its time

There are still 5 Palatine cruisers in operation as of this printing (2,500 M.E.), all of them still being used despite being in space for some 500 years.

Known for their signature shape and design, as well as their traditional white paint (called “Armor White 1a” by the Thrassi Navy), they were called “White Ghosts” by many Trisst and pirates for the fact these were often spied upon by a Palatine without knowing it, and were often apprehended by them with no warning.

Palatine cruisers are the only starship in the Thrassi Navy with the “SSC” prefix for their duty numbers. SSC is an acronym which stands for “Star Ship Cruiser”, and was intended as a special designation reserved for Palatine class cruisers alone. All other ships of the Thrassi Navy employed the traditional TSS, short for “Thrassi Star Ship”

With the introduction of the Trisst Doruus class battleship in 1,940 M.E., and its continuing reign as supreme spaceship of the Lathkos Sector, the Thrassi Republic found itself in need of a flagship vessel as well-armed as the Doruus. When it was discovered the cost of building a rival to the battleship was so outrageously expensive that it would bankrupt the dwindling Thrassi coffers, the Thrassi government sought instead to build an immense fleet of smaller, more nimble space vessels as part of its defense force. It was thought that a huge array of small ships could elude the ponderous and relatively rare Trisst Battleship, should war break out. The Thrass also focused on building a fleet of nimble fighter craft, choosing speed, maneuverability and sheer numbers to counter the Trisst fleet, which focused on only 100 gargantuan Doruus battleships and only a few more thousand support craft.

Over the years, as the tenuous peace continued between the Thrass and Trisst, the Republic began thinking again of devoting resources to a larger, more general purpose space vessel, capable of an extremely wide array of deployments and missions. It was not until 1,976 M.E. that the Thrassi Republic finally mustered the will to build such a vessel.

Because of the Thrassi lack of experience for building larger starships, Lethmarp Industries, the famed Isusian shipbuilders who provided the vessels for the Isus Collection for millenniums, were tapped by the Republic to build the Thrassi dream ship. In 1,981, the first Palatine class space cruiser was deployed in space, SSC-001 Palatine. The Palatine class cruiser was sold exclusively to the Thrassi Republic.

Although the Palatine class excelled in sensor and weaponry, they were reportedly slow, heavy and extremely expensive. The Republic tried to cram as much technology into as small a shell as possible so as to make the Palatine as affordable as it could be. Despite these efforts, however, the Palatine project was still prohibitively expensive, and construction was discontinued after the 20th vessel, Adjudicator, was commissioned in late 2,000 M.E. The cause of its discontinuation was cited as being because of the ship's immense size and construction cost. At 750 stretches long, and over a killostretch in width, it was one of the largest starships ever put to space in the Lathkos Sector's history, despite the vaunted efforts of the Republic Fleet to keep the size of the ship down. Each ship cost approximately 1 trillion jaspers to construct, with an additional 800 million jaspers per year to operate.

Characteristics

Interior Characteristics

The ship's command deck, on the 12th level down from the top of the vessel, features some of the highest technology known to the Thrassi Republic, and even the Lathkos Sector. The Palatine was the first ship to employ holographic controls. This is especially of note in the helm console, which features a 3 dimensional hologram of the ship which the helm officer simply manipulates using his or her own hands. The ship's computer uses these inputs to fire the reaction control thrusters arrayed around the ship's hull. Palatine vessels were also unique in their use of robotic security sentries. These highly modified DLO-P robots had specialized software installed which made them formidable warriors, capable of successfully defending their vessel from boarding parties. They also served as bodyguards for any of the command staff who would venture to a hazardous planet's surface.The Palatine class cruiser had an official expected service life of upwards of 400 years, although with refits, it had a theoretically indefinite lifespan.

On 5 / 12 / 2,000, Bellicose was destroyed during Operation: Hammerstop. Because of the loss of the ship so rapidly to the Trisst battleship, many decried what they claimed as the uselessness of a such an expensive vessel.  Thus, many experts denounce the Palatine class as a mediocre vessel at best. This is not because of her design or manufacture, which were of the highest quality, but that the expense at which she was constructed and maintained meant she was deemed too valuable an asset to see any real combat situations, or situations where she would face peril or formidable odds. This is despite the fact that the ships were, in reality, extremely well-armed, durable, expertly designed and built, and more than capable of facing almost any threat posed against them, except, of course, a Trisst battleship.

Because of the loss of the Bellicose, and the severe damage Adamant suffered during the Drannica mission 5 years later, the Thrassi admiralty lost its stomach for sending their prized cruisers into harm's way.

Of all the vessels of the class which were constructed aside from Bellicose, 14 were later mothballed due to budget shortfalls, with 5 of those ships eventually being scrapped for spare parts for their 5 remaining active sisters. By 2,050, only Adamant, Reciprocity, Palatine, Harbinger and Truculent remained in active duty.

The ships were relegated to light mission duty, often being used to ensure the peace in outlying systems where there were no ships or weaponry which could ostensibly threaten them. They were almost never used to their original potential. Of all the ships in all of their missions, except Bellicose, Adamant sustained the greatest damage, during the Drannica mission. The damage done to her and the loss of Bellicose was sufficient enough to frighten the admiralty into sparing the ships from heavy military use, instead focusing on exploration or patrol missions in safe systems. Any pictures of the damage sustained by Adamant were suppressed so as not to anger the public over such a valuable and expensive vessel being used for a mission which they feared would be deemed meaningless.

The 9 mothballed Palatine class cruisers—known colloquially as “The Nine Ghosts”–are evidently stored in Koranna IV Construction Yards, their birthplace, under heavy guard, because of their obvious value to looters and ship thieves. If the Thrassi Republic ever needed them, these ships could be returned to active duty in less than 3 months, where they, despite their age, would still nearly double the amount of deliverable firepower of the Thrassi Navy's arsenal.

Working on a new free video tutorial.  This one is an answer to a request on YouTube, so I'm plannng on putting it on there.  Will hopefully be done in a week or so.  Going to try some new techniques in this tutorial to see how they go, including more interesting video effects and whatnot to convey the ideas better.  Whether they work or not, I'm not entirely sure.  We'll have to see when I release it...


Hope everyone is doing awesome.

Dan

More work on Gingerbreed for the guys at HiFi 3D.






Still some work to do on detailing out the aft sections and other things.  But so far, so good, I hope.

This particular model has to have a full interior as well, for filming.  So a high res interior model for this, seamlessly integrated into the exterior modeling is necessary.  Fun times.

Dan

Hey all,

Just wanted to share this.  I made a spaceship for a guy a few years back and he's released the movie just recently.  Seth was super cool to work with, and this ended up sending me on a secular career I really enjoy.  He made a V-Log to talk about the film, Dust, which was a sort of sci-fi drama.  I didn't do much on the film.  Seth's already a really amazing digital artist--whether he's aware of it or not--and so all I did was use Blender to build out and render a spaceship for him.  It's very rudimentary by today's standards, and I've learned a lot since then, but I suppose it was nice to see my work in there.  I hope my work didn't take down the otherwise pretty slick work he did on it!



Thanks,
Dan

More work done for the awesome guys over at HiFi3d.

No shading this time, unfortunately, but just geometry.  A beleaguered space colony.

Dan

In a once-in-a-lifetime photo, the Great Plagaran Sandstorm of 1,898 M.E. is depicted as it is about to engulf King Valley, the only visual documentation of the event known to exist.

Until its destruction in 2,005 M.E., the planet Plagarus was a center of macabre activity.  Serving as the graveyard for the Thrassi Republic for over a 1,000 years, it fell into disuse when its star, Plagara Majora, began to enter its final phase of life.  Things rapidly deteriorated for the once grassy world.  Its temperature increased exponentially, driving the local ecosystems into mass extinction as grasslands turned to dust-bowls, and seas turned to vast, empty chasms.

A grisly practice of grave robbing ensued as looters descended on the dying world, stripping the billions of graves there of any commodities they could find.  Most of the grave robbers congregated around King Valley, which was the place where the Thrassi kings were interred in elaborate tombs set into the carved walls of the valley.  Riches of untold value were reputed to be buried there.

On a spring day, in 1,898 M.E., an epic sandstorm engulfed King Valley for almost a day. Estimated to be two kilometers tall, it was evidently created by powerful solar-generated updrafts and apocalyptic atmospheric turbulence.  The result was the deaths of about 200 grave robbers, consigning the men to the very cemetery they were pillaging.  For over a century afterward, up until the day the planet was finally obliterated by its dying star, the stories of the Storm of '98 were nearly legend.  For a long time afterward the storm's effects were immortalized in local sector idiom.  To “reap the sandstorm” meant to suffer terribly painful consequences, often followed by gruesome death, due to short-sighted greed.

This image depicts the last moments of the infinitesimally small, unseen men who died clutching the trinkets and artifacts they so craved.  They were surrounded by colossal monuments which seemed to frown down upon them as if in scorn for their greedy avarice, heedless of the warnings of impending doom, a testament to the irony of their deaths on a cemetery planet.

--------------------

Scene modelled and rendered in Blender 2.75, with Cycles. Post Processing: Blender, After Effects CC 2016, Gimp.

Was done in several passes. The ground had both a color and Z pass, as did the clouds. The two ships were later composited in AE.

This scene was designed to test out Blender Cycles' volumetric rendering. There are some issues with it (not withstanding incredibly long render times), but the results weren't too shabby. The sandstorm was created by two models, both using several Displacement modifiers using simple cloud textures. It wasn't too bad.

I'm not thrilled with the image, but ran out of time on it. Hopefully people like it and the story accompanying it.

Thanks,

Dan

Hey everyone.  Oodles of new stuff coming down the pipeline.  Today, with the move to 1080p, the King Valley scene from Plagarus was just not doing it.  So, decided to bite the bullet and rebuild the scene from scratch using better materials and geometry.  The WIP results of this set so far:



Also, my company logo is about 5 years old, so it's time for a little change and some sprucing up.  It's not terribly great, but it's an improvement, I hope.

As usual, all made in Blender.  But the post processing is now done in After Effects CC 2016.  The lens flare in the logo is provided by a plugin from Video Copilot.


Don't be afraid to watch in 1080p! It's quite a bit nicer. :)

Dan

Still plugging away on the ol' project.  Not sure if I'll ever finish, given other, more important responsibilities, but, alas, I'm not giving up! :)


Got a lot of animation still to do.  But it's considerably easier, now, with the updated armatures for the two main characters.  Now, to update the rest of the characters before I've got to use them...should be fun.


Design for Padoen's hover bike:


Still to do:

1.) Loads of stuff.  Most notably, finishing a short fight sequence (ugh...), remodeling the exterior desert landscape, which is in bad need of repair.  It stood up fine in the 720p renders of Parts One and Two, but in 1080p resolution, the desert landscapes just don't stand a chance.  Every imperfection shows up terribly.

Hopefully it'll be good.  It's showing promise, but a lot of work to do.  Just wanted to show I'm still plugging away on this thing. :)

Dan

Dan

Received permission from the guys over at HiFi 3D to show the fun I've been having on their project up until now.  I've been commissioned to provide modelling for digital sets for their project, an indie film called Gingerbreed: The Motion Picture.  Here is a link to the project website.

Client provided over all set direction, as all the sets must interact with live action actors.  Therefore, at points where there is interaction (i.e., doors, consoles and whatnot), dimensions and placement of items must be precise.  Modelling only has been completed at this point, and they provided me with some preexisting geometry to use, and I built on that as I went.

Digital sets are listed in the order they've been worked on.  All modelling done in Blender 2.7x, to be exported to Maya for further work on shading, materials and lighting.

BRIDGE

MESS HALL

HANGAR COMPLEX

The Hangar Complex is actually two sets connected to each other--a large storage chamber, and a smaller chamber attached to the first level of the hangar.  This room had numerous pieces that were already constructed that the client requested to be extrapolated through the rest of the room.  These meshes included the main floor, the crates and the corrugated exterior walls.  Only one corner of the room was modeled.  The rest had to be modeled from scratch.


Still work to do on the project, so more updates on the way whenever I finish them.

Hope everyone is doing awesome.

Dan